The story behind how the current new media art came to be and how it can hold appeal even with an audience who aren’t actively art appreciators is an interesting one, notably its role on the internet world. Ironically enough, despite an artwork’s material intangibility within social networks for instance, the amount of feedback from the audience – via “likes”, “shares”, comments, and sometimes more feedback within the hashtags if there is that option – is far more tangible than if an artist’s work is viewed with the same amount of people within the space of a museum gallery all at once. In that regard, I believe the narrative behind the art, between both the artist and the viewer, are more freely and more enthusiastically discussed within the digital space, than if one merely presents and the other take in the message of the piece. This may especially hold true when the piece has political undertones, where people can talk about what the new media art is expressing, rather than interpreting the piece by oneself.
Since the setting is during the early 1930’s of Shanghai, I find it very fitting to have the entire short be done with washed out, unsaturated colors…and the lack of detailed shading on some areas/characters also helps to create a look that is similar to watching a painting on paper come to life. Though it has a very linear storyline that only consists of “retrieving the scroll from the antagonists”, this fast-paced animation by Wolf Smoke that is characterized by its smooth flowing calligraphy brushed action lines during the fight scenes was really a delight to watch!
Though she’s not in her usual sleek black spandex suit, there is still a feminine grace to Catwoman even when dressed with whimsical props like a cat hat and tail. This version of her shows off her speedy fighting prowess, as well as sheer dexterity with a whip; anyone pursuing her soon gets the hint that even as a thief running in plain daylight, she is more than able to fend for herself when she is cornered and unable to sneak around. (She also somehow manages to not trip or fall to the ground once even with heels, which further elaborates on that dainty but skillful nature of hers that doesn’t convey any level of “damsel in distress”).
I really like that Bane starts off with a scrawny appearance, if only because it shows off that subtle smart side of him being able to disguise himself in public as a (mostly normal) looking guy who doesn’t even have the strength to pull a cart. He does let irritation overtake him however, and as he transforms into a much bigger and muscular juggernaut, it was mostly brawn, and not the charisma found in Christopher Nolan’s (or in other installment’s) Bane, that crushes the police force and even his own ally. Even though the brains that make Bane so famous is not very apparent in this short, there is still a ruthlessness that surpasses the other henchman as he ends up with the scroll at the end of this scene. In this sense, he becomes a more formidable opponent than Catwoman when Batman finally comes into the scene.
Batman’s namesake in this last clip is not only metaphorical, but it is literal in the way that he is able to actually shapeshift into numerous bats. He still uses technology as weapons, and no “real” super powers in beating up Bane. However -and this isn’t often apparent in Batman canon- he also has a more supernatural side to him with eyes that glow (that doesn’t appear to be coming off a headset of some sort), and is made more obvious as he takes the scroll from both Bane and Catwoman and also literally dissipates into the night (no Batmobile…he just simply disappears).
And this unique creative freedom of something very well known is the kind of material that I wish Cartoon Network would work with more along with the ongoing Teen Titan shorts. The only thing that the short doesn’t quite cover here is revealing what the scroll would do exactly if it falls into the wrong hands of the gang, but this small bit missing doesn’t derail enjoyment or keep me from wishing that there would actually be a series with this animation quality and its stylish rendition of characters.
This will sound odd for someone who devotes an entire blog on animation but in retrospect, I actually haven’t watched a lot of cartoons, or at least not as much as the average animation blogger does. This goes for both Western cartoons and anime, even though I have been watching more of the latter in the recent years. However, I do like to extract every bit of story/character development/visual symbolism whenever I do watch and stick to a series or film.
Despite not having watched almost every cartoon, a number of shows I watch still influence and enrich my life in some form or fashion (…to an embarrassing degree). For animations with underlying themes, there is just a lot of heart in the intentional visual symbolism that is all individually hand drawn. Sometimes, it’s just a good medium to create something deep or artistic that may otherwise be too “cheesy” or weird if done in 3D animation or in a show with real life celebrities/actors. And other times, it’s the ideal medium for people who just want to see some fluid action and movement with an explosion of 2D colors and visible action lines everywhere.
This semester, I will be watching and blogging about what’s trending, as well as some classics that I never got around watching, in the name of “research”. ;)